There is a buzz amongst music lovers that Amit trivedi has become a master of orchestral work and tune smithy and is the only music director , fit to be called AR Rahman’s heir apparent. The fact that he is growing strength to strength , album to album was what started the buzz and his superb coke studio work lent credibility to the same after a tepid 2011. The buzz in fact will increase in volume as one listens to the Aiyaa soundtrack and here is my thoughts on Amit T’s work for this movie.
Dreamum Wakeuppum opens with the loud sound of the south masala songs of the late 80s and what starts is a wacky journey with the orchestra. The keys , the percussion and the guitars along with the percussion are so wacky and the mix improves when the Nadaswaram gets into the fray.The only thing which spoils the song is the meaningless , loaded with double entendre lyrics and the yucky video I am not able forgive. All in all a competent opening song for the album belonging to a genre I call Hindi Kuthu.
From the southern most part of the country we travel to Maharashtra , straight into a Lavani performance thanks to Amit T , only thing is this Lavani has its own twists. Talking about Hindi Films and the protagonists’s desire to get into films , Sunidhi sleep walks through the song competently. What sets this song aside is the orchestral work , esp when the guitars enter the fray in the second interlude. A competent effort again and while one does not have anything against the song ,one feels its not special.
Think of a Marathi rock star and think Aga Bai. That slow start with the percussion and classical singing blows up into a riot of voices and synth & electronic work. The song seems like a club/disco number and I was not able to shake the feel off even after a couple of listens. What’s commendable is again the orchestral work and singing – the singers have got a Marathi accent going with hindi and it sounds very very authentic.Shalmali and Monali render this number and though I was not able to distinguish which was which , both the ladies are in super form and are very very good.
One can be forgiven for thinking that Mahek Bhi is an instrumental . The first minute and half of the song is dedicated to a dreamy piano accompanied by Shenai , joined by a violin ,cello and whistle later on. Amit adds layer upon layer on layer in those 90 seconds that you wish the track was an instrumental or had an instrumental version. Shreya Ghoshal joins the song somewhere around the second minute and carries the song along with her dreamy voice. This is a song you play on rainy evenings sipping a cup of tea or dancing to the waltzy arrangement with a friend.Mahek Bhi is slow poison . It gets inside your system slowly , steadily and refuses to let go. The backing male vocals are also splendid ( Amit T himself maybe). If you loved the Shenai lines in Amit’s Navrai Majhi , you’ll go crazy over the Shenai work in this song – its bloody brilliant of Amit to use the Shenai with a Waltzy arrangement.
People always say its nice to return gifts and Amit must think so too for he’s given Sneha K , the best song of the album in ‘what to do’. A santoor ( I’m not sure) leads the song and Sneha jumps into the fray immediately. The grungy guitars , keys . that percussion and Sneha K mean musical addiction with Amitabh Bhattacharya adding to the headiness. One goes vavvavvaavvaa with the song and goes wow after it.This is a song which has to be heard and the lesser said about the better – the wacky mix has to be experienced to be understood. Way too addictive , this has been playing on a loop umpteen times and one word to the readers – watch out for that wacky second interlude with Mridangams and what not .
Any tamil Brahmin worth his/her salt will certainly smile as Wakda begins with the trade mark moresingh and mridangam that kick starts wakda. The Nadaswaram adds to the wackiness and as Amit starts with Pa Pa you realize you are in for a fun ride. The orchestral work is once again out of the world and wacky. Amit T even has the back up singers sing Wakda in a very southie style. The nattuvangam in that first interlude along with the Mridangam is a win too. I guess this is a wedding song and there is a slight Marathi wiff too. Watch out for the guitars and trumpet in the second interlude ye readers – kick ass stuff this. In fact wakda stands shoulder to shoulder with Ijjat Papad and I am quite confused as to which is the best song of the album.
Overall , Aiyyaa is a wacky and mixed ride with some competent and some out of the world work. Amit T take a bow , for making us go Wakda !